Jessica Simpson Attempts to Redo Virna Lisi Esquire Cover
Jessica Simpson attempted to recreate Virna Lisi on the cover of Esquire magazine’s May 2008 issue. Papa Joe must be thrilled about these photos. However, the description in the magazine is disgusting and offensive.
“Breasts like plucked guinea hens, undercooked and overstuffed. And those legs, like those of every coed in every early-80s corduroy skirt, waving across the quad at the guy just behind you. Cheerleader legs. Jackknifing legs that split the air like seesaws. In the Dukes of Hazzard music video, those legs are in cowboy boots, moving like joysticks across your screen. She’s got that dumb-fox high-maintenance pout. She’s got her own money: She can buy your house just to use the toilet. She’s one of those Easy-Bake celebrities, up from Abilene, Texas, with a fizzy pop beat on church-choir training wheels. She’s hot as fresh milk and has an okay voice…”
Perhaps Jessica didn’t even notice the insulting description of her though. And Papa Joe probably doesn’t care as long as they saw a nice paycheck for the deal.
To see more photos of Jessica Simpson’s sexy photo shoot, go here.
3 babblicious comments:
Wow! That is nasty and way misogynistic! Good on you for calling that. What was the writer’s major malfunction? Does not like girls much? Was he not breastfed? Was dropped on his head? His description is awkward and over-wordy as well as offensive. He’s not much of a writer.
Jessica is a beautiful woman with a fantasy body. This ‘man’ describes her in a way that is unattractive and dehumanizing. Lame dude! Maybe gorgeous women just ain’t your thing, but don’t hate, appreciate. You know what they say… ‘Don’t cast pearls before swine.’
One word: gay.
Mítica y arquetípica imagen de la mujer que acuática nos seduce como una fuente romana de la era cesarea.
Sinuosidades de agua brotan y chocan, resbalan, seducen. Remontan esas curvas italianas a los frescos de Pompeya, a los muros del Seteccento, a las pinturas del Parugino, parmigianino, Broscino, Boticelli y Andrea del Sarto. Trasladan a las fuentes de la abundancia pectoral cercanas a Roma. A esa fuente de mil pechos en Trevi. A las cúpulas de Bruneleschio de Michelangelo. Esa mujer que nos invita a ahogarnos en sus senos floridos escondidos pero deseables. Estan más presentes así.
Es más lo que esconden que lo que muestran y eso perturba. Una vuelta al arte académico más clásico esa imagen de mujer. Voluptuosidad pura. Resumida historia de la forma redonda y pena.